MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2025
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 05/04/2025 Secte @ Cobra Jaune | |
| 13/04/2025 Bunuel @ Le Botanique | |
| 17/04/2025 Bunuel @ Roadburn Festival | |
| 18/04/2025 La Marmite @ Le Belvédère | |
| 19/04/2025 Peter Kernel @ Out of the Crowd | |
| 21/04/2025 Sumac @ Le Botanique | |
| More concerts ... | |
| NEWS | |
| 26/03/2025 We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon. | |
| 19/03/2025 We still have few copies of Pneu's new album. | |
| 19/02/2025 Orders are slowly out for deliveries. We hope all orders will be out for the end of the week. | |
| 12/02/2025 Due to Bpost strike, we won't send any orders this week. Things should be back to normal by next week. | |
| More news ... | |
| FEEDBACKS | |
|
j... (Belgium) fast delivery, top company... |
|
|
d... (Netherlands) Everything went perfectly... |
|
|
A... (Belgium) Excellent! Thanks.... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | V/A Scanner / Dessy : Play along Label : Sub Rosa Year : 2005 Format : CD Style : Electronic / Experimental Availability : Out of stock | |
| Description : | Published in 2005, this is the first collaboration between Jean-Paul Dessy + Ensemble Musiques Nouvelles and a musician involved in electronic music scene (the second was dj Olive).
The adventure began in June of 2002 with two wonderful evenings at the Botanique (Brussels) devoted to crisscrossings and genre-stripping between electronic nomads and musicians, classically-trained composers eager to mingle with other forms. The 'electronic stroller' Robin Rimbaud, explorer of urban interstices, was the first to answer our call and met with Jean-Paul Dessy in London to elaborate an approach to deterritorialized co-composition: cello sounds sampled during short improvisations and later reworked by Scanner; electronic sequences and textures chosen by the Belgian composer and for which he wrote strings parts. These are the terms of a dynamic exchange resulting in a work open to both digital gesture and acoustic composition. In addition to this piece, which is the centre panel of this album's triptych, Scanner and Jean-Paul Dessy each offered a solo electronics piece: the first integrating string sounds produced by the second, the latter choosing to strip down a previous composition of all its acoustic instruments, keeping only its animalistic essence (wolves and whales' cries) and treatments. Free exchanges between complementary sound worlds that keep feeding off each other through other residencies and performances, mirror effects distorting our preconceptions and generating fresh musical projections. | |
