SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
18/04/2025 La Marmite @ Le Belvédère | 19/04/2025 Peter Kernel @ Out of the Crowd | 21/04/2025 Sumac @ Le Botanique | 24/04/2025 The Flying Luttenbachers @ Magasin 4 | 27/04/2025 Guthrie, Will @ Les Ateliers Claus | 02/05/2025 Mmuurr @ Beauraing is not Dead |
More concerts ... |
|
NEWS |
|
08/04/2025 New releases will be out by Friday. | 26/03/2025 We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon. | 19/03/2025 We still have few copies of Pneu's new album. | 19/02/2025 Orders are slowly out for deliveries. We hope all orders will be out for the end of the week. |
More news ... |
|
FEEDBACKS |
|
K... (Italy)
Books arrived! Thanks for the great serv...
|
l... (Belgium)
Excellent ...
|
M... (United Kingdom)
Excellent all round - easy and friendly ...
|
More feedbacks ... |
|
DESCRIPTION |
|  | OLIVEROS, PAULINE Early Electronic Works 1959-66 Label : Sub Rosa Year : 2018 Format : 2xLP Style : Electronic / Experimental Availability : Out of stock
| | | | Description : | Pauline Oliveros is more than ever an important American composer. Born in Houston, Texas on May 30, 1932, the music she produces today is close to the breath of life, with, notably,
her pieces for accordion played by herself, the creation of the Deep Listening Center, her approach to improvisation, and her numerous and varied collaborations with, among others,
John Cage, Morton Subotnick, Terry Riley, Sonic Youth, Erold, and Andrew Deutsch...
What we wish to show here, is her early and definitive contribution to the tape and electronic music of the late fifties and sixties - her systematic exploration of electronic sounds, which was fundamental to this period.
Released in our Early Electronic series
My work with electronic music began in 1959. My first tape piece was an ambitious four channel work called Time Perspectives. The piece was made by recording small sounds from objects resonated on a wooden wall and changing the tape speed. I used cardboard tubes as filters by inserting the mic into the tube and recording sources through the tubes. I used my bath tub as a reverberation chamber. (notes on composition by Pauline Oliveros)
| Titles : | 01. Mnemonics iii 1965 / 17'20
02. v of iv 1966 / 14'34
03. Time Perspectives 1959 / 19'19
04. Once Again/Buchla Piece 1966 / 19'19
|
|
|