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 | WOLFF, CHRISTIAN (BY PHILIP THOMAS) Pianist : Pieces Label : Sub Rosa Year : 2014 Format : 3xCD Style : Experimental / Contemporary Music Availability : Out of stock | |
| Description : | The Project Wolff uniquely blends experimental concerns with classical tendencies. In these pieces not only are older composers referenced (Ives, Schumann) but Wolff's love of clarity of line and transparency of texture betrays an empathy with Webern, Haydn and Bach. This aesthetic is, however, combined with a tendency toward discontinuity and fragmentation, isolated sounds and silence, and, perhaps most significantly, indeterminacy of notation. Notational techniques which appear in some or all of the works featured here include: 'tablature' notations which prescribe which fingers to play but not which notes; notes without specified duration; notes which may be played in any clef and octave; the omission of any indications as to tempo, dynamics and articulation; and Wolff's characteristic 'wedge', which means a pause or breath of any length. Wolff / Cage / Feldman: Christain Wolff was born in Nice, France, to the German literary publishers Helen and Kurt Wolff, who had published works by Franz Kafka, Robert Musil, and Walter Benjamin. After relocating to the U.S. in 1941, they helped to found Pantheon Books with other European intellectuals who had fled Europe during the rise of fascism. The Wolffs published a series of notable English translations of European literature, mostly, as well as an edition of the I Ching that came to greatly impress John Cage after Wolff had given him a copy. Wolff became an American citizen in 1946. When he was sixteen his piano teacher Grete Sultan sent him for lessons in composition to the new music composer John Cage. Wolff soon became a close associate of Cage and his artistic circle, which included the fellow composers Earle Brown and Morton Feldman, the pianist David Tudor, and the dancer and choreographer Merce Cunningham. Cage relates several anecdotes about Wolff in his one-minute Indeterminacy pieces. Philip Thomas (b.1972, North Devon) specialises in performing new and experimental music, including both notated and improvised music. He places much emphasis on each concert being a unique event, designing imaginative programmes that provoke and suggest connections. He is particularly drawn to the experimental music of John Cage, Morton Feldman and Christian Wolff, and composers who broadly work within a post-Cageian aesthetic. In recent years he has been particularly associated with the music of Christian Wolff, giving the world premiere of his Small Preludes in 2009, the UK premiere of Long Piano (Peace March 11), having co-edited and contributed to the first major study of Wolff's music, Changing the System: the Music of Christian Wolff, published by Ashgate Publications in 2010. | |
| Titles : | CD1 01. for pianist 1959 02. for piano i 1952 03-05. suite ( i ) 1954 06-09. for prepared piano 1951 10-13. for piano ii 1953 14-16. for piano with preparations 1957 17. for pianist 1959 CD2 01-96. long piano (peace march 11) 2004-5 CD3 01-05. pianist pieces 2001 first recording 06. a piiano piece 2006 07-12. nocturnes 1-6 2008 first recording 13-32. small preludes 2010 first recording 33-37. touch 2012 | |
